Katie by Michael McDowell

 

Prospects aren't exactly cheery for Philo Drax, the daughter of a small-town seamstress in 1871, until a letter arrives from her estranged grandfather. His farm and well-being are being (mis)managed by the villainous Slapes, and he fears for his life. 

Hoping for reconciliation (and potentially an inheritance), she disguises herself as a housemaid and rushes off to rescue her grandfather. But alas, the Slapes have already sunk their grimy claws in too deep and Philo is unable to save him from a horrible death. The Slapes leave with his money and a newfound enemy in Philo.  

Philo's story is an absorbing melodrama but Michael McDowell (who wrote the screenplay for Beetlejuice as well as several novels -- including the incredible Blackwater saga) balances the weight of her story with his depiction of the Slapes. They are stupid, brutal, and scary, none more so than the titular Katie, a psycho psychic with a flair for blunt force trauma. But there is also something undeniably funny in the way he writes their dialogue (truncated and simple, like their minds) and I could not resist being charmed by their simple pleasures (though murderous thieves, they don't splurge on anything but theater).  

Katie shares a bloodline with Victorian penny dreadfuls. This is evidenced by its bloody, sensational plot and evocative historical setting. I particularly enjoyed the depiction of a boarding house that reminded me of the 1937 film Stage Door. It's a setting that is quippy and fun but also sobering in its depiction of what it is like to be a single young woman in New York City in the late 19th century. 

There's also a Pride and Prejudice sort of romance, rather swoony, and one of the saddest murder scenes I've ever read. What I'm trying to say is Katie has just about everything I could want in my entertainment: drama, suspense, romance, gore, humor. Check it out!